Abstract
The emphasis in this response to Mine Doğantan-Dack’s ‘Tonality: The Shape of Affect’ is on the cultural construction of tonality and the ways in which that may encourage Western musicians to understand tonality as a fundamental psychological process. An alternative hypothesis is proposed in which tonality assists in the effective musical modelling of hunting, offering a means to relive the experience in social groups.
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CITATION STYLE
APA
Leech-Wilkinson, D. (2013). Tonality and the Cultural. Empirical Musicology Review, 219–222. https://doi.org/10.18061/emr.v8i3-4.3944
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