Reading Power: Muslims in the War on Terror Discourse

Abstract

This paper analyzes the relationship between Muslims and the west defined at a particular moment in post 9/11 America and the war on terror context through a conversation in the novel The Submission (2011) by Amy Waldman. It critiques the construction of knowledge about Muslims and how this knowledge functions as part of a hegemonic discourse of Orientalism. The novel is about a public competition for an architectural design for a memorial marking the site of the World Trade Centre attacks in New York City. Khan is the architect who wins the competition through a blind selection process. But when his identity is revealed, public controversy erupts. Claire, the other protagonist in this encounter, is a white woman with two children, widowed in the 9/11 attacks. She is also a member of the selection committee. While Claire's assumptions denote western, hegemonic representations that define Muslims in narrow ways, Khan's responses represent a critique of this Orientalist construction, as well as indicating how it can be reshaped, with all the tension that this process provokes. This fictional encounter offers an opportunity to reflect on decolonial possibilities in the ‘real life’ encounter between Muslims and the west in the war on terror context.