Abstract
The author discusses her experiences in conceiving, designing and working with the Long String Instrument, an ongoing hybrid of installation and instrument integrating acoustics, engineering and composition. © 2012 ISAST.
Cite
CITATION STYLE
APA
Fullman, E. (2012). A compositional approach derived from material and ephemeral elements. Leonardo Music Journal, 22, 3–10. https://doi.org/10.1162/LMJ_a_00084
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