This multi-authored monograph consists of the sections: “Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution,” “The Euromaidan’s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?”, “Exposing the Fault Lines beneath the Kremlin’s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem,” and “‘Lasha Tumbai’, or ‘Russia, Goodbye’? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground.”
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CITATION STYLE
Hansen, A., Rogatchevski, A., Steinholt, Y., & Wickström, D. E. (2019). A war of songs: Popular music and recent Russia-Ukraine relations. In Soviet and Post-Soviet Politics and Society (Vol. 203, pp. 1–247). Ibidem Verlag. https://doi.org/10.23865/noros.v33.1804