Abstract
The newly outward‐looking economic stance that China adopted in the 1980s was reflected by a Western‐style building boom. As widely spaced towers replaced traditional courtyard‐based environments, urban legibility was lost – and the new buildings were not designed to last. In recent years there has been a backlash: adaptive reuse is now encouraged, as are loose‐fit approaches to new design for greater durability. California‐based architect Renee Y Chow traces these shifts, and highlights projects that have sought to redress the balance – including one by her own practice, Studio URBIS.
Author supplied keywords
- 798 Art Zone (Dashanzi Art District)
- Ai Weiwei
- Beijing
- Caochangdi
- Chaoyang District
- China
- Deng Xiaoping
- He Wei
- Hutong lanes
- Liulichang
- Nanluogu Xiang
- Pace Gallery
- President Xi Jinping
- Qianglong plan
- Shanghai
- Shanghai Qingpu government
- Siheyuan
- Souzhou Creek
- Studio URBIS
- Studio Zhu‐Pei
- Tianzifang
- Tonglu Librairie Avant‐Garde Ruralisation Library
- Xihe Cereals and Oils Museum and Village Activity Centre
- Xintiandi
- Yangtze River Delta
- Zhang Lei/AZL Architects
- Zhujiajiao
Cite
CITATION STYLE
Chow, R. Y. (2017). Continuity and change: Challenging the disposable Chinese city. Architectural Design, 87(5), 114–121. https://doi.org/10.1002/ad.2224
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