Abstract
In 2021, ABBA reunited, released a new album, Voyage, and announced holographic concerts featuring their digital avatars or “ABBAtars.” Using visual effects and motion capture technology, these performances create a realistic illusion without physical presence. This study analyzed reactions to these virtual musicians, highlighting concerns of ageism, undermining live music, and profit-driven motives. While the public was excited to “experience” ABBA again, there was speculation about the nature of a virtual concert.
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Matthews, J., & Nairn, A. (2023). Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert. Popular Music and Society, 46(3), 282–303. https://doi.org/10.1080/03007766.2023.2208048
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