In this article I collate vernacular and elite academic stories about François Makandal, focusing particularly on his production of fetishes, which I (following his usage) call macandal. I show that the codes at work in macandal artifacts involve a materialism and semiotics that together constitute a critical methodology. I then use the methodology at work in macandal artifacts to read one key piece of the archive pertaining to Makandal: his judge and executioner Sébastien-Jacques Courtin’s Mémoire.
CITATION STYLE
Allewaert, M. (2019, September 1). Super Fly: François Makandal’s colonial semiotics. American Literature. Duke University Press. https://doi.org/10.1215/00029831-7722092
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