Abstract
Drawing on discussions of neoliberalism, immaterial labour and exploitation of reality television participants, I argue in this chapter that those who appear on reality shows are exploited because they receive no monetary return for their performances. I use the British programme Embarrassing Bodies (Channel 4, 2007–2015) as an exemplary basis. I then seek to theorize the exploited labour on reality television through Debord’s notion of the spectacle. I argue that in contemporary reality television the spectacle is amplified through affectivity and shaming. This is particularly evident in programmes that are about health and the body, such as Embarrassing Bodies.
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CITATION STYLE
Johanssen, J. (2017). Immaterial Labour and Reality TV: The Affective Surplus of Excess. In The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism (pp. 197–208). University of Westminster Press. https://doi.org/10.16997/book11.l
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