Cinematic Framing of Child Trafficking: Victims and Perpetrators in Netflix’s Bhakshak and Sector 36

Abstract

This study examines the media framing of victims and perpetrators in Indian films addressing child trafficking, sexual abuse, and organ trafficking, with particular focus on Netflix’s Bhakshak and Sector 36. These films engage with vulnerable social issues by depicting the experiences of trafficked children and societal responses to such crimes. The paper evaluates narrative choices and cinematic approaches that shape representations of victims and perpetrators, highlighting how framing moves beyond conventional narratives to function as persuasive social commentary. It critically examines ethical representation, the reinforcement or disruption of stereotypes, and the risk of sensationalizing trauma for entertainment. Drawing on framing theory, narratology, and feminist film theory, the study analyzes how narrative structures influence audience perception of child trafficking and sexual abuse. The methodology employs narrative analysis of plot, character construction, camera work, and dialogue to assess identity formation. Addressing a gap in media and literary studies, the paper foregrounds Indian cinematic contexts and their role in shaping public discourse on trafficking and abuse.