Abstract
Bedhaya is a dance genre that lives and develops in Javanese society. This dance is a legacy of the times of the Hindu Buddha. In the course of the bedhaya dance era, it changed. This article aims to reveal the changes in the dance function of bedhaya and to examine its existence in Javanese society. The research used is qualitative with a historical approach. The data collection technique used is the archival studies method. The result showed bedhaya dance derived from the dance offerings performed by devadaҫi. In the times of Mataram Islam, it was used to legitimize the king’s position. The Bedhaya dance had a significant role in maintaining the king's authority when the palace lost political, economic, and juridical power during colonialism. During its development, the palace was only for cultural preservation. It can be presented outside the palace walls as an art of tourism. In the modern era, Bedhaya dance is one of the references in creating contemporary dance. The change in the function of the Bedhaya dance is accompanied by changes in how it is presented, the accompanying narrative, and the essence conveyed. This shows that changes in the views and ideas of Javanese society influence its artistic creations.
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Pramutomo, R. M., & Sriyadi. (2025). Transformation Bedhaya Dance in Java Society: Rituals, Ceremonials, Entertainment. Paramita, 35(1), 67–80. https://doi.org/10.15294/paramita.v35i1.4820
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