Abstract
Theyyam is a ritual art form exclusive to Northern Kerala, performed by the Scheduled Castes & Scheduled Tribes. It is the socio-religious movements that gave them a platform to put forth their problems and change the attitude and treatment of upper castes towards them. Until then, it was a medium for them to present the trauma and victimhood long endured by their community under casteism. This is well fabricated in various elements surrounding Theyyam, such as Thottam Pattu. Theyyam also projects the kinds of ritual and spiritual practices of their community. So, this research attempts to read Theyyam as an archive of the subaltern community by borrowing the Archive concept defined by Gayatri Chakravorty Spivak in her essay 'The Rani of Sirmur: An Essay in Reading the Archives.' As the art form is linked with religious beliefs, it has survived over the years, recognising the community's struggles under casteism and their heroic figures. Thus, this research also attempts to have a close reading of each element surrounding it.
Cite
CITATION STYLE
Menon, D., & D, S. (2021). READING THEYYAM AS AN ARCHIVE OF THE SUBALTERN COMMUNITY OF NORTHERN KERALA. ShodhKosh: Journal of Visual and Performing Arts, 2(2), 91–101. https://doi.org/10.29121/shodhkosh.v2.i2.2021.41
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