The ghosts of Elizabeth Wurtzel and David Foster Wallace: Depression, Sincerity, Hauntology

Abstract

This essay explores the relationship between Elizabeth Wurtzel and David Foster Wallace, two writers who are in different ways representative of the ‘in-between’ status of the 1990s, and who both pioneered different modes of writing which remain influential today: Wurtzel’s ‘obscene’ (in Baudrillard’s terms) confessional style, and Wallace’s post-postmodern aesthetics of sincerity. In particular it considers Wallace’s short story ‘The Depressed Person’ (from his collection Brief Interviews with Hideous Men), which is widely understood to be ‘about’ Wurtzel. While somewhat cruel and misogynistic on the surface, the hauntological dimension of this text–ie the effect created by the posthumous context of reading it now, when both writer and alleged subject are no longer with us–opens up a different reading, one which enables us to explore the association with depression which is central to understanding both authors. The essay compares ‘The Depressed Person’ to Wurtzel’s own rather circumspect memorial of Wallace, ‘Beyond the Trouble, More Trouble’, published in 2008 shortly after his death. Read posthumously, both texts come to seem unlikely companion pieces. For all their substantial differences, both effectively advance a similar, bleak yet carefully considered, conclusion about what it means to suffer with depression which casts new light on Wallace’s notion of sincerity and Wurtzel’s ‘obscene’ approach to autobiography.