Abstract
Ortiz saw the acceleration of time in Cuba. However, the museification (Agamben) has become the agenda of post-revolutionary Havana. For Ponte, to walk through the streets of Havana is like to undertake a time travel. The city is not only a museum but also a museum in ruins. Havana is a bombarded city by a bombing that never took place. Thus, life goes underground. Tuguria, the submerged city, is however fully synchronized to the wasteland that grows on the surface.
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De Barros, R. L. (2010). Havana: A Cidade como catástrofe em antonio josé ponte. Alea, 12(2), 257–268. https://doi.org/10.1590/S1517-106X2010000200006
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