Art World Fields and Global Hegemonies

Abstract

This paper investigates the art world as a setting for hegemonic status or prestige politics. Powerful states engage in art world status-seeking but appear to face challenges distinct to the art world in so doing. To explain, I adopt a Bourdieusian forms of capital approach, framing the art world as a social field with distinctive contentious dynamics and symbolic politics. I argue states must work through art world networks and institutions to pursue status there, observing local rules in so doing. I frame art world prestige as symbolic capital - the overt, observable pursuit of which tends to undermine any gains. Hegemonic incumbents and challengers face differing such constraints. The existing global art world models rules and standards by homology on that of the current hegemon. A challenger must adapt to this status quo before they can revise it. I unpack these dynamics in the cases of America, China, and India. I focus on their shifting standing in the global art market and performances of national aggrandizement at a recurring global art world event: the Venice Biennale.