Plato's creative imagination: (Re)membering the chora(l) love that we are

0Citations
Citations of this article
11Readers
Mendeley users who have this article in their library.
Get full text

Abstract

The Platonic chora, as the third, intermediating term, has been left in a state of virtual dereliction in the West. Its ternary logic transmutes oppositional logics of binarity, including the oppositions of interior and exterior, psyche and cosmos, human and divine. In this article I (psycho)analyse the mytho-philosophical trajectory of the chora from Plato’s Timaeus, and Diotimaic love found in Plato’s Symposium. I argue that both the disruptive force of Diotimaic love, and the subversive chora with its ‘bastard reasoning’1 are indicative of Plato’s efforts to resolve an internalized conflict which mirrored a larger conflict found in his cultural epoch, a time in which abstracted self-consciousness was on the horizon and chthonic-participatory consciousness was receding. In (re)membering the chora I find a fecund space-time, an enabling field, for human participatory becoming-with the cosmos.

Cite

CITATION STYLE

APA

Lynch-Lawler, C. (2019). Plato’s creative imagination: (Re)membering the chora(l) love that we are. Feminist Theology, 28(1), 104–123. https://doi.org/10.1177/0966735019859472

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free