How Face Masks Affect Acoustic and Auditory Perceptual Characteristics of the Singing Voice

Abstract

Wearing a face mask has been accepted as one of the most effective ways for slowing the spread of COVID-19. Yet information regarding the degree to which masks affect acoustics and perception associated with voice performers is scarce. This study examines these effects with common face masks, namely a neck gaiter, disposable surgical mask, and N95 mask, as well as a novel material that could be used as a mask (acoustic foam). A recorded excerpt from the “Star-Spangled Banner” was played through a miniature speaker placed inside the mouth of a masked manikin. Experienced listeners were asked to rate perceptual qualities of these singing stimuli by blindly comparing them with the same recording captured without a mask. Acoustic analysis showed that face masks affected the sound by enhancing or suppressing different frequency bands compared to no mask. Acoustic energy around the singer's formant was reduced when using surgical and N95 masks, which matches observations that these masks are more detrimental to the perceptions of singing voice compared with neck gaiter or acoustic foam. It suggests that singers can benefit from masks designed for minimal impact on auditory perception of the singing voice while maintaining reasonable efficacy of filtering efficiency.