Sailors and slaves: The 'poor enslaved tar' in naval reform and nautical melodrama

Abstract

This article explores the rhetorical comparison of naval sailors' exploitation to that of African slaves in pre- and early-Victorian discourses on naval reform. It is structured around an analysis of J.T. Haines's nautical melodrama My Poll and My Partner Joe (first performed 1835), in which the hero, having been press-ganged by the navy, risks his life freeing enslaved Africans on the Middle Passage even though he considers himself a slave to his nation. This plot was both timely and provocative: first performed in the immediate aftermath of the illegalization of slavery in Britain's colonies, it dramatizes an analogy between slaves and sailors that was contested by campaigners for naval reform and their opponents. Ultimately, My Poll and My Partner Joe palliates radical commentary on sailors' rights, in its second and third acts, as the sailor patriotically celebrates his freedom in antithesis to African slavery. Rather than read its denouement simply as romantic escapism, I argue that it proposes resolutions to conflicts that had arisen in British understandings of slavery and freedom, and racial and national identity, as a result of the debate on naval reform. To researchers of imperial, humanitarian, and working-class cultures and identities of the nineteenth century, this article reveals the underlying importance of race and slavery to debates on maritime labour. It further highlights the complex, dialectical character of pre- and early-Victorian representations of sailors-on the stage and beyond it. © 2011 Copyright Taylor and Francis Group, LLC.