Daughters of the Dust: Rephrasing the African American Experience in Julie Dash’s Film and Novel of the Same Name

Abstract

While Julie Dash’s landmark 1991 film, Daughters of the Dust, has received extensive attention as the first by an African American woman director to receive a wide-scale theatrical release in the US, much less has been written about her sequel, the 1997 novel of the same name. That novel, set twenty years after the actions of the film and following some of the same characters, is another expression of Dash’s efforts to celebrate Gullah-Geechee culture and to highlight its unique position in African American history. Although not an adaptation, the novel does provide an interesting case study for how the same narrative threads and themes can be tackled across different media and sheds further light on the themes expressed in the film. Through an in-depth reading of both film and novel, we argue that Daughters of the Dust “rephrases” African American experience, casting it in a new light. In doing so, Dash masterfully adapts her story for the different medium, emphasizing the cinematic power of the written word, and offering up a call and response structure between the two texts that mimics African storytelling techniques.