Forming christians through musicking in china

Abstract

In recent years, authorities in mainland China have renewed their call for the sinicization of Christianity through theological discourse. Given that Christianity is largely expressed in visible, worship-based ways, such as music (songs), rhetoric (sermons), rituals (sacraments), symbols (crosses, garments, banners, etc.), posture and gesture (genuflecting, lifting hands, etc.), one wonders at the implication of this development. Might there be an alternative approach to sinicization? This essay seeks to investigate the feasibility of sinicized Christianity from the ontology of musicking as purveyed through the practice of congregational song.