The aim of this paper is to show that, it is with the introduction of VRCinema when a more precise immersive period is born. In order to verify that, a qualitative methodology has been applied, based on a content analysis of the most relevant sources which deal with the constitutive elements of the immersive triangle: screen, formats and audiences.
CITATION STYLE
Cortés-Selva, L. (2016). En busca del VRCinema. Del cine proto-inmersivo al cine inmersivo. Discursos Fotograficos, 12(20), 173–204. https://doi.org/10.5433/1984-7939.2016v12n20p173
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