Abstract
We will consider White Elephant (Elefante blanco, 2012), by Pablo Trapero, by analyzing the urban space that it represents/creates. This investigation will be modulates by the idea of the ruin, a specter of both failure and resistance, which integrates a realm of ideas related to a complex universe such as the slum – among them, violence as a constituent of everyday life. This movement occurs through the experience of characters foreigner to that world, who enter it, plunging into a learning path that, like everything in the movie, has the double face of destruction and construction. We will also develop a quick exploration of space in Trapero’s other films and of the slums in Argentine cinema.
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Barrenha, N. C. (2019). White Elephant: urban space, ruins and violence. Ars (Sao Paulo), 17(36), 191–216. https://doi.org/10.11606/issn.2178-0447.ars.2019.145306
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