Visual methods in family and sexuality research: Picturing the everyday, the imaginary, and the void

Abstract

Engaging with visual methodology literature and the concept of ‘family display’, this article examines how visual methods can generate new ways of understanding the (in)visibility of queer family life. Engaging Chinese lesbians in image-making and photo-elicitation interviews, I illustrate how visual methods give access to different ways of making sense of ‘family’, including the ‘everyday’, the ‘imaginary’, and the ‘void’. By exploring the image-maker’s intentions, the presence or absence of the image-maker, and diverse ways of displaying family, I show how visual methods can facilitate the display of family ties, tensions, and ideals. Adopted in an open format that allows flexibility and creativity, visual methods generate space for participants to communicate the unrealisable and unseeable and for researchers to examine how dominant heteronormative representations and discourses around the ‘family’ restrict possibilities of displaying family. I highlight the importance of maintaining openness and sensitivity to cultural peculiarities when adopting visual methods.