Abstract
In this paper we present a practical study that formed part of the larger Creator project [1]. Data, such as GPS trails, video and audio files from a pervasive-performance were used to explore multidisciplinary understandings of such 'ephemeral' pieces. Video and audio content tagging was also explored as a device to aid in developing the archive for replay. It is recommended that projects involving artistic practice should make documentation and subsequent archiving part of their overall research strategy. ©2010 ISAST.
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CITATION STYLE
Chamberlain, A., Rowland, D., Foster, J., & Giannachi, G. (2010). Riders have spoken: Replaying and archiving pervasive performances. Leonardo, 43(1), 90–91. https://doi.org/10.1162/leon.2010.43.1.90
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