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The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema

  • Betz M
Camera Obscura: Feminism, Culture, and Media Studies (2001) 16(1) 1-45
DOI: 10.1215/02705346-16-1_46-1
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Abstract

Examines how anxieties in Europe about economic and cultural cooperation and national identity are present and readable through the coproduced art cinemas of Italy and France from the late 1950's to the mid-1970's. Speculative aims of the essay; Importance of reading the films through the discourses of nationalism/internationalism, auteurism, subtitling/dubbing, polyglot filmmaking and star textuality.

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APA

Betz, M. (2001). The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema. Camera Obscura: Feminism, Culture, and Media Studies, 16(1), 1–45. https://doi.org/10.1215/02705346-16-1_46-1

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