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Fascism, Reality, Shit, and the German Stage

TDR - The Drama Review - A Journal of Performance Studies (2023) 67(2) 48-64
DOI: 10.1017/S1054204323000059
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Abstract

The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida MÜller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/MÜller defend art's autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany's past.

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APA

Friedman, A. (2023). Fascism, Reality, Shit, and the German Stage. TDR - The Drama Review - A Journal of Performance Studies, 67(2), 48–64. https://doi.org/10.1017/S1054204323000059

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