Abstract
Archival inkjet print, 37 1/4 x 44 1/2 inches, edition of 7 + 2 APs Contraband (2009) utilizes a strategy of non- representation to depict the highly-surveilled site of customs interrogation at the American border by revealing images of items confiscated from border crossers and subsequently documented by the artist. [...]the practices of both Simon and Paglen articulate a delicate dialectic between visuality and opacity, one operative in the revelation and concealment of information through visual means. But clearly this is not the case today.
Cite
CITATION STYLE
Wilkinson, J. (2015). Art Documents: The Politics of Visibility in Contemporary Photography. InVisible Culture. https://doi.org/10.47761/494a02f6.9452c95b
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