Adaptasi Pengembangan Pola Kotekan Gamelan Bali dalam Permainan Gitar Klasik

Abstract

Purpose: This study aims to understand and determine the effect of adjusting ideas in the process of adapting the development of the kotekan pattern on Balinese gamelan into classical guitar playing. Research methods: This article uses a literature review approach regarding the kotekan pattern on Balinese gamelan and playing techniques on classical guitar. Results and discussion: Development of the kotekan pattern based on its character as a tight link, connecting the initial melody or main melody in the game can be divided into two or more. While the playing technique on classical guitar can be divided into two, namely right hand technique and left hand technique. The application of this adaptation utilizes each character from the playing technique of the classic guitar and kotekan pattern. Implication: The exploration process shows that the apoyando, tirando, tremolo, and damper techniques are very effective in playing the developed kotekan pattern.