Abstract
The aim of this study is to show that M. Antonioni and J. Cortázar-in Blow up and Las babas del diablo-share the same theoretical assumptions on the ways of representation of the art and his possibilities of catching the reality. © 2013 UNED.
Cite
CITATION STYLE
APA
Cepedello Moreno, M. P., & Melendo Cruz, A. (2013). Narración y sabotaje en Las babas del diablo y blow up. Signa, (22), 227–243. https://doi.org/10.5944/signa.vol22.2013.6351
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